Tag Archives: reachingnextgen

The Future is Now

In their book, Sticky Faith: Everyday Ideas to Build Lasting Faith in Your Kids, Powell and Clark found that students crave affirmation and relationships with adults in their community of faith.[i]  It makes them feel valued. They want to get connected to the church, to serve, to invest in others. Powell and Clark go on to say that students who invest in younger kids are more likely to be connected and committed to their local church.[ii] Students want to feel valued and appreciated for what they can bring to the community of faith.[iii]

            Church Leader: what are you doing to integrate these students into the leadership of your church? For the worship leader specifically: How will you not only train future worship leaders, but how will you allow them to serve the body of Christ? Yes, it’s great to have graded choirs and youth choirs, but some of the more talented students in your ministry should be playing piano, guitar, or other musical instruments for another group in your church. The student with the great voice could sing on one of your worship service praise teams. The student who has a heart for working with children’s worship or children’s choir may be just the ministry he or she needs to stay connected to the church, or the students who are interested in audio/visual ministry could serve in various ways all over the church. What opportunities are you creating for this to happen in your church, leader? How will you ensure this happens?

            You must seek creative ways to use your students every chance you can because if they don’t get connected during their youth, it’s likely they’ll never get plugged in as an adult. They crave relationships with adults who value what talents and ideas they bring to the table. They need validation and affirmation along the way. They are the future of the church and we must find ways for them to learn, grow, serve, and invest in others themselves.

            Here a just a few ways you as a leader can invest and allow students and children the opportunity to grow and serve in the intergenerational church:

  1. Develop student accompanists
  2. Allow them to sing in the Sunday morning choir
  3. Use students on praise teams or solos
  4. Allow students to play their instruments in an instrumental ensembles or praise band
  5. Allow students to serve in children’s worship, drama, or children’s choir ministry
  6. Train and equip students for audio/visual ministry
  7. Allow students and children to have a voice in the worship ministry

            Children and students must have the opportunity to develop their skills as they learn what it means to lead in worship. You never know who God is calling to not only vocational ministry, but who He’s calling to serve the church after you are gone. Truthfully, isn’t it worth it to invest in even a few students if someone gets plugged in for life? If not, the church of tomorrow will be severely lacking musicians.

            No matter what size church you have or what your style of musical worship is, find many outlets for your students to serve. It just makes sense to provide opportunities for the greatest number of students to participate. Certainly, extremely talented musicians should have greater responsibility as needed, but don’t forget the moderate level musician in your church. We need all kinds in the body of Christ, and that extends also to music ministry also. We must foster an environment that seeks to honor the giftedness of all and provides avenues for them to serve.

            I get it; the pressure, worship leader, is undoubtedly high in your church to produce a quality worship experience each week. Taking a “training” approach to music ministry takes guts and a solid plan. The beginning product might not be awesome, but keep plugging away, training, investing, and praying for God to move and the quality will continue to rise if you raise the bar high and encourage along the way.

            I tell people often I’ve had key people in my life that invested in me. They saw something in me that needed to be utilized for the building of the Kingdom. I think of them often and remind them of their specific encouragement and risk they took letting me accompany or sing when I didn’t even think I was ready. Because of their investment in me, I’m able to invest in our next generations.

Who are investing in?


[i] Powell and Clark, 98-99.

[ii] Ibid, 98

[iii] For further reading, I commend to you the great book, Growing Young, by Powell, Mulder, and Griffin (Baker: Grand Rapids, 2016). These authors highlight the fact that a warm community is essential for keeping young people connected to a local community of faith.

You’ve Made me Learn to Love Contemporary Music

Last night I was approached by an octogenarian woman during our family night meal. She looked me dead in the face and said something to the effect of, “Will, you’ve made me learn to love contemporary music.” As I’ve thought about this over the last day, I’m starting to wonder how I’ve made her learn to love contemporary music? I didn’t realize I had that power! Sadly, I didn’t get a chance to continue our conversation because I needed to get to my first rehearsal. Of course the next time I see her I’m going to ask her, but for now, I can only guess why she said that to me—and 80-something year old woman whose church music heart-language likely does not include the latest Passion tune. However, something in the way we present contemporary music resonates with someone from our Builder generation.

While I don’t have an exact answer to why she felt compelled to stop me at the coffee bar yet, I have some guesses:

  1. Utilize contemporary songs that are biblically-rich. I refuse to put on the lips of our people songs that aren’t clear in theology and Christ-glorifying.
  2. Utilize contemporary songs where the music and text complement each other. Much has been said about this, but effective text/word painting is crucial to cementing the truth in the minds and hearts of the worshipers.
  3. Utilize contemporary songs with a hookYou all know what I’m talking about—songs with the indelible earworm. Songs that have sections that contain melodic (or even harmonic) sections that you can’t get out of your head. My current earworms are Way Maker and I Belong to Jesus (O Hallelujah). If you don’t know them, be prepared to invest lots of time hearing the song in your head. But you know what? These songs reinforce the TRUTH of who God is and my relationship and response to Him. If you listen any pop music at all, the most popular songs have hooks–and rightly so, we humans respond to them. No matter your age, a fantastic hook transcends generations!
  4. Instrumentation. I don’t think we can overestimate the importance of how the music is played and sung. A rock band is going to sound different on most contemporary songs than a full orchestra (even if you have the same rhythm section in your orchestra). We use orchestra every week and my guess is our chosen method of presentation is more intergenerational friendly.
  5. Volume. I CANNOT stress how important volume and decibel level is in a worship service. I talk at length about this in my article here: The Noise is Deafening and It’s Not My Fault!  Basically, as we get older, we get more sensitive to sound. If you want to ostracize older people, disregard decibel levels. We make very sure that we set volume levels appropriately for our worship space.
  6. Relationships. I care about the people I serve. I care about the content that God has given me the responsibility to feed them musically. My octogenarian friend probably has learned to love contemporary music because I do not lay aside our historically-rich hymns of the faith either. In fact I try to find creative ways to use textual similarities between new and old and put them together in worship services. I want all generations in my church to know that no music is off-limits based on it’s copyright date alone. By this I’m able to bridge gaps and build relationships across generational lines. It’s kind of an inter-musical approach for the intergenerational church!

What might you add to my list here?

Generation X: Tolerant of All Types of Church Music?

I was recently reading a dialogue in a Facebook group I’m a part of that basically said that folks under 35 only want to sing worship music in church like Passion/Bethel/Hillsong, to name a few, while folks over 65 only wanted to sing traditional hymnody in a traditional four-part way—forget any creativity in hymn arrangements. The folks in the conversation then agreed that if all church members were of Generation X age, there wouldn’t be this polarizing disparity in congregational song. Obviously, these comments are not scientific and exceptions abound, but it sounded like something I would agree with. This conversation got me to thinking, “are folks in Generation X more tolerant of varying types of music for musical worship? If they are, why is that?”

I can personally speak to my own experience as someone who falls on the lower end of the 38-62 year old range. I remember as a teen in the late 80s and early 90s, the incorporation of new praise songs in corporate worship joined together with familiar hymnody. Back then, I don’t remember knowing any churches that had multiple services that were altogether different musically. But, by the mid 90s and early 2000s, I knew of many. Could this worship service polarization shift be a major reason why those older as well as those younger than those of us in Generation X feel so passionately about specific types of music for worship? Let’s explore further…

My church musical experiences up to the late 90s, and many of my generational cohort, was more than likely one of musical fluidity in church worship services—all types of music were used in each service (however lame or overly repetitive they might’ve been).   Those of us in Generation X who’ve grown up in the church can remember when churches were unified in their music approach yet had different musical styles. Sure, during this time there were churches that used more traditional or contemporary music (and instrumentation), but by and large, each church had a similar hymnody and basically one style of service.

Why is it that it seems those of us in Generation X are more tolerant of varying kinds of music? Do you believe this to be true as well?

Worship services, during the formative years of many Gen Xers, included lots of musical styles. So, when churches (in the late 1990s and 2000s) decided to segregate into music-specific worship services, many from Generation X were comfortable in any worship scenario. I believe we of Generation X are not as firmly stuck in our “old ways,” as the over 65 crowd. Remember, most Boomers were at least 40 years old during this shift. Being over 40 myself, I can tell you–change its much harder at this age! Likewise, I believe many of our younger Millennials and Generation Z (especially those born since the advent of segregated services) have yet to see passed their own limited experience, which may include internet-based or concert-based worship services. So, much more could be said here, but I think you get the idea.

Without proper research, these questions will remain. What I do believe to be true is people resonant with familiarity. Given to our own devices, all humans default to their comfort zone. Without exposure to multiple types of musical worship, we humans will always resort to the familiar or our preferences. That being the case, I hope that people under my care as worship leader will sing truth with as many available musical types of worship with strong texts. The key is exposure!

I’d love to hear your opinions on why Generation X seems to be more tolerant with music in the church?