Tag Archives: Xennials

The Decline of Church Choirs and Lack of Unity

February 7, 2020Tagsbaptist, Bible, Biblical, black gospel, Boomers, Brentwood-Benson Music Publishing, Builders, choir, choirs in worship, choral, church choir, church leadership, church music, community, diversity, family worship, friendship, Gen-X, generational, generations, hymn arrangements, intergenerational, intergenerational choir, intergenerational relationships, intergenerational worship, invest, investing in next generations, latin american music, leadership, Lifeway Music, Millennials, modern worship, multi-generational, multigen, multigenerational, music, music ministry, next gen, Oregon Trail Generation, praise, praise team, praise teams, PraiseGathering Music, Prism Music, purpose, racial, relationships, southern gospel, spiritual formation, The Bible, The Word of God, traditional worship, training, uncategorized, value, vocal worship, vocal worship teams, vocals in worship, Word Music Publishing, worship, Xennials, youth choirDr. Will Whittaker

A few months ago I wrote an article about the rise of choral singing in America from a study from Chorus America. If you missed that blog post, check it out here: Church Choirs Shouldn’t be Declining Because of Lack of Interest. Last week, I ran across another article called 1 in 6 Americans sings in a choir — and they’re healthier for it.
This article cites the same study, but this paragraph stood out to me:

It’s no secret that America’s social fabric is unraveling. Participation in churches and religious institutions is down. Fraternal organizations are shrinking. Marriage rates continue to decline. Voting is up, but volunteering is down. The differences dividing us seem greater than the similarities.

That last line stuck out to me. Our differences are dividing us and churches are not immune. In fact the enemy has targeted the bride of Christ, who loves nothing more than to create division. This division is contrary to the admonition of Scripture. Paul, in his letter to the Ephesian church urges [us] to walk in a manner worthy of the calling to which you have been called, with all humility and gentleness, with patience, bearing with one another in love,eager to maintain the unity of the Spirit in the bond of peace. (Ephesians 4:1-3 ESV).

I’m suggesting that our churches have a unity problem. The decline in church attendance is doubtless linked to the decline of church choir mentioned in this study. The decline of the church choir has removed one of the most visible models of unity on display in our local churches. Week in and out, vibrant church choirs demonstrate unity in worship leadership. Further, when we get rid of graded choirs, we don’t have the opportunity to start this “discipleship of unity” early in the spiritual formation of the students. Sadly, I believe many of displaced church choir members are the reason community choirs are on the rise.

Any choral group, by design, must strive for unity in various ways. While striving for unity, our individuality must take a backseat for the good of the whole. Here’s a quick list of some areas where choirs must be unified:

Vowels, articulation, rhythm, consonants, breathing, phrasing, dynamics, etc.
Often, but not always, dress. Concert dress or robes often hide the individuality of each person for a unified look.
Blend vocally. I included this as a separate number because listening and blending is crucial to choral tone. In choral singing we must give up our solo tendencies to achieve unity and balance.
Preferences in music or in other facets of choir ministry. Often we don’t always sing everything that we personally like. That’s okay, the person sitting next to you might love what you hate. That’s the beauty of mutual submission—loving one another more than yourself.

The list could go on, but consider this, I learned more about serving others and working together toward a goal in a choral setting than any other facet of the local church. I believe the task of moving many people toward a unified goal will result in greater effectiveness for the Kingdom.

You’ve Made me Learn to Love Contemporary Music

January 30, 2020Tagsbaptist, Bible, Biblical, Biblical Foundations, blended worship, body of christ, Boomers, Builder Generation, Builders, choir, choirs in worship, choral, church choir, church leadership, church music, church music styles, church orchestra, churches, communication, community, congregation, congregational, contemporary hymns, contemporary worship, diversity, Gen-X, generational, generations, hymnody, intergenerational, intergenerational relationships, intergenerational worship, invest, investing in next generations, leadership, mentoring, Millennials, modern worship, multi-generational, multigen, multigenerational, music, music ministry, next gen, next generations, participation in church choir, praise team, praise teams, prayer, purpose, reachingnextgen, spiritual formation, The Bible, training, unity, value, vocal worship, vocal worship teams, vocals in worship, worship, worship spaces, worship style, Xennials, younger generationsDr. Will Whittaker

Last night I was approached by an octogenarian woman during our family night meal. She looked me dead in the face and said something to the effect of, “Will, you’ve made me learn to love contemporary music.” As I’ve thought about this over the last day, I’m starting to wonder how I’ve made her learn to love contemporary music? I didn’t realize I had that power! Sadly, I didn’t get a chance to continue our conversation because I needed to get to my first rehearsal. Of course the next time I see her I’m going to ask her, but for now, I can only guess why she said that to me—and 80-something year old woman whose church music heart-language likely does not include the latest Passion tune. However, something in the way we present contemporary music resonates with someone from our Builder generation.

While I don’t have an exact answer to why she felt compelled to stop me at the coffee bar yet, I have some guesses:

Utilize contemporary songs that are biblically-rich. I refuse to put on the lips of our people songs that aren’t clear in theology and Christ-glorifying.
Utilize contemporary songs where the music and text complement each other. Much has been said about this, but effective text/word painting is crucial to cementing the truth in the minds and hearts of the worshipers.
Utilize contemporary songs with a hook. You all know what I’m talking about—songs with the indelible earworm. Songs that have sections that contain melodic (or even harmonic) sections that you can’t get out of your head. My current earworms are Way Maker and I Belong to Jesus (O Hallelujah). If you don’t know them, be prepared to invest lots of time hearing the song in your head. But you know what? These songs reinforce the TRUTH of who God is and my relationship and response to Him. If you listen any pop music at all, the most popular songs have hooks–and rightly so, we humans respond to them. No matter your age, a fantastic hook transcends generations!
Instrumentation. I don’t think we can overestimate the importance of how the music is played and sung. A rock band is going to sound different on most contemporary songs than a full orchestra (even if you have the same rhythm section in your orchestra). We use orchestra every week and my guess is our chosen method of presentation is more intergenerational friendly.
Volume. I CANNOT stress how important volume and decibel level is in a worship service. I talk at length about this in my article here: The Noise is Deafening and It’s Not My Fault! Basically, as we get older, we get more sensitive to sound. If you want to ostracize older people, disregard decibel levels. We make very sure that we set volume levels appropriately for our worship space.
Relationships. I care about the people I serve. I care about the content that God has given me the responsibility to feed them musically. My octogenarian friend probably has learned to love contemporary music because I do not lay aside our historically-rich hymns of the faith either. In fact I try to find creative ways to use textual similarities between new and old and put them together in worship services. I want all generations in my church to know that no music is off-limits based on it’s copyright date alone. By this I’m able to bridge gaps and build relationships across generational lines. It’s kind of an inter-musical approach for the intergenerational church!

What might you add to my list here?

The Noise is Deafening and It’s Not My Fault!

April 18, 2018Tagsbaptist, black gospel, Boomers, Brentwood-Benson Music Publishing, Builders, choir, choirs in worship, choral, church music, community, diversity, family worship, Gen-X, generational, generations, hymn arrangements, intergenerational, intergenerational choir, intergenerational worship, latin american music, Lifeway Music, Lillenas, Millennials, multigenerational, music, Oregon Trail Generation, praise, praise team, praise teams, PraiseGathering Music, Prism Music, racial, relationships, southern gospel, spiritual formation, The Word of God, traditional worship, vocal worship, vocal worship teams, vocals in worship, Word Music Publishing, worship, Xennials, youth choirDr. Will Whittaker

Decibel levels matter, my friends. Prolonged, heavy vibrations in the ear drums can cause hearing damage. I submit that not only are our musical choices important to connect generations together in worship, but the volume of that music is important too.

Any concert or church that hands out ear plugs (and there are MANY) before the music starts says to me, “I’m not concerned with your aural health enough to lower the volume to a healthy decibel level. Accept this small token to alleviate the painful noise because I seemingly care about you. But, those younger folks here, perhaps your sons and daughters that came in with you, they can tolerate the higher decibel levels (even if it damages their hearing long term).” Really??? But I digress. I do believe understanding some possible reasons WHY decibel levels have gotten out of control may help us understand why it’s important to be cognizant when considering volume levels in the intergenerational church.

SOME REASONS VOLUME HAS GOTTEN LOUDER

The advent of rock music (and specifically its live performance) is predicated on the feeling (vibration) the music brings to the listener/enjoyer (music coursing through your veins—literally)
With the advent of car radios (especially as stereo and bass technology has risen) one can be literally “enveloped” with sound
Churches have tried to mimic the feeling of a rock concert to increase the emotional and physical experience

A FEW ARGUMENTS FROM THOSE FOR LOUD VOLUME

The enveloping of sound is a perfect way for non-singers to feel “safe” to sing uninhibited
We can feel and hear the energy of the music
Non-Christians are more comfortable hearing/and seeing music like what they experience at concerts/radio, etc.
Not having music that engulfs us makes the music sound anemic

In these arguments, and there are plenty of others, there’s not one that I can tell that could not be achieved with a reasonable decibel level. Perhaps not at the same degree though. Certainly it is more challenging to “feel” the bass when it’s not thumping.

SOME REASONS TO FIND A REASONABLE DECIBEL LEVEL IN WORSHIP SERVICES

Music that is so loud and piercing limits creativity to some degree. Dynamics, vocal harmonies and the like, are harder to distinguish and achieve. I’ve heard “softs” that still had high decibel levels
If you are going to have multiple generations in your services, multiple studies have shown that something physiological happens the older we get…the ear inside our ears gets stiffer as one ages causing our tolerance to certain decibel levels to decrease
We need to hear each other as we sing together because of the biblical command to admonish and teach one another through singing songs of worship (Ephesians 5:19). Pretty hard to do that if you can barely hear the person next to you. Where’s the community in that?
Loud decibel levels can distort text or make articulation incomprehensible. Pretty sure text is what sets worship apart from any other musical experience
Over-singing may cause vocal damage
Loud decibel levels over extended time may cause hearing loss

To be clear, I’m not targeting modern worship music or bands that play a certain type of music. I love all types of music! I am specifically targeting the decibel level of ANY type of worship service. I’ve heard organs that have literally moved me physically with the vibrations and caused me to hold my ears.

I submit you: Extremes in volume (decibel level) may be polarizing relationally in the intergenerational church.

Finding balance is key in your own situation. Sometimes sitting in certain places in a worship center can yield a different sound. I know there are places in our worship center that are louder than others. I encourage folks who mention they can hear too much sound/cannot hear well to move around until they find what works for them.

Even as we consider this issue, there will be people in our sphere of influence that will never be pleased with volume levels because their preferences are so extreme. That’s okay; we in intergenerational churches are used to having to remind our folks that we are guided by the philosophy that we are better together, guided by the Word and the Holy Spirit, and always looking to find practical ways (volume included) to achieve the best balance for our church culture and context.

Side note: you’ll find recommendations for sustained decibel levels for worship from 75-95 db. However, OSHA recommends hearing protection for anything over 85 db for sustained periods of time (8 hours) and 95 for up to 4 hours. In my opinion, 95 should be the limit with great care to keep between 75-85 generally in worship.