Tag Archives: The Bible

The Decline of Church Choirs and Lack of Unity

A few months ago I wrote an article about the rise of choral singing in America from a study from Chorus America.  If you missed that blog post, check it out here: Church Choirs Shouldn’t be Declining Because of Lack of Interest. Last week, I ran across another article called 1 in 6 Americans sings in a choir — and they’re healthier for it.
This article cites the same study, but this paragraph stood out to me:

It’s no secret that America’s social fabric is unraveling. Participation in churches and religious institutions is down. Fraternal organizations are shrinking. Marriage rates continue to decline. Voting is up, but volunteering is down. The differences dividing us seem greater than the similarities.

That last line stuck out to me. Our differences are dividing us and churches are not immune. In fact the enemy has targeted the bride of Christ, who loves nothing more than to create division. This division is contrary to the admonition of Scripture. Paul, in his letter to the Ephesian church urges [us] to walk in a manner worthy of the calling to which you have been called,  with all humility and gentleness, with patience, bearing with one another in love, eager to maintain the unity of the Spirit in the bond of peace. (Ephesians 4:1-3 ESV). 

I’m suggesting that our churches have a unity problem. The decline in church attendance is doubtless linked to the decline of church choir mentioned in this study. The decline of the church choir has removed one of the most visible models of unity on display in our local churches. Week in and out, vibrant church choirs demonstrate unity in worship leadership. Further, when we get rid of graded choirs, we don’t have the opportunity to start this “discipleship of unity” early in the spiritual formation of the students. Sadly, I believe many of displaced church choir members are the reason community choirs are on the rise.

Any choral group, by design, must strive for unity in various ways. While striving for unity, our individuality must take a backseat for the good of the whole. Here’s a quick list of some areas where choirs must be unified:

  1. Vowels, articulation, rhythm, consonants, breathing, phrasing, dynamics, etc.
  2. Often, but not always, dress. Concert dress or robes often hide the individuality of each person for a unified look.
  3. Blend vocally. I included this as a separate number because listening and blending is crucial to choral tone.  In choral singing we must give up our solo tendencies to achieve unity and balance.
  4. Preferences in music or in other facets of choir ministry. Often we don’t always sing everything that we personally like. That’s okay, the person sitting next to you might love what you hate. That’s the beauty of mutual submission—loving one another more than yourself.

The list could go on, but consider this, I learned more about serving others and working together toward a goal in a choral setting than any other facet of the local church. I believe the task of moving many people toward a unified goal will result in greater effectiveness for the Kingdom.

 

You’ve Made me Learn to Love Contemporary Music

Last night I was approached by an octogenarian woman during our family night meal. She looked me dead in the face and said something to the effect of, “Will, you’ve made me learn to love contemporary music.” As I’ve thought about this over the last day, I’m starting to wonder how I’ve made her learn to love contemporary music? I didn’t realize I had that power! Sadly, I didn’t get a chance to continue our conversation because I needed to get to my first rehearsal. Of course the next time I see her I’m going to ask her, but for now, I can only guess why she said that to me—and 80-something year old woman whose church music heart-language likely does not include the latest Passion tune. However, something in the way we present contemporary music resonates with someone from our Builder generation.

While I don’t have an exact answer to why she felt compelled to stop me at the coffee bar yet, I have some guesses:

  1. Utilize contemporary songs that are biblically-rich. I refuse to put on the lips of our people songs that aren’t clear in theology and Christ-glorifying.
  2. Utilize contemporary songs where the music and text complement each other. Much has been said about this, but effective text/word painting is crucial to cementing the truth in the minds and hearts of the worshipers.
  3. Utilize contemporary songs with a hookYou all know what I’m talking about—songs with the indelible earworm. Songs that have sections that contain melodic (or even harmonic) sections that you can’t get out of your head. My current earworms are Way Maker and I Belong to Jesus (O Hallelujah). If you don’t know them, be prepared to invest lots of time hearing the song in your head. But you know what? These songs reinforce the TRUTH of who God is and my relationship and response to Him. If you listen any pop music at all, the most popular songs have hooks–and rightly so, we humans respond to them. No matter your age, a fantastic hook transcends generations!
  4. Instrumentation. I don’t think we can overestimate the importance of how the music is played and sung. A rock band is going to sound different on most contemporary songs than a full orchestra (even if you have the same rhythm section in your orchestra). We use orchestra every week and my guess is our chosen method of presentation is more intergenerational friendly.
  5. Volume. I CANNOT stress how important volume and decibel level is in a worship service. I talk at length about this in my article here: The Noise is Deafening and It’s Not My Fault!  Basically, as we get older, we get more sensitive to sound. If you want to ostracize older people, disregard decibel levels. We make very sure that we set volume levels appropriately for our worship space.
  6. Relationships. I care about the people I serve. I care about the content that God has given me the responsibility to feed them musically. My octogenarian friend probably has learned to love contemporary music because I do not lay aside our historically-rich hymns of the faith either. In fact I try to find creative ways to use textual similarities between new and old and put them together in worship services. I want all generations in my church to know that no music is off-limits based on it’s copyright date alone. By this I’m able to bridge gaps and build relationships across generational lines. It’s kind of an inter-musical approach for the intergenerational church!

What might you add to my list here?

There is no “Generation Gap” in God’s Kingdom

May the God of endurance and encouragement grant you to live in such harmony with one another, in accord with Christ Jesus, that together you may with one voice glorify the God and Father of our Lord Jesus Christ. Romans 15:5-6 (ESV)

Maybe you’ve noticed it as I have. Popular music really hasn’t changed much in the last forty to fifty years. Sure there are new fusions of multicultural influences, and techno influenced styles that have formed new sub-genres, but by in large, popular music is generally the same. Pop bands are often still dominated by a rhythm section with one or more singers. These male and female singers generally sing in about the same register (much too high for most males and often too low for females). We can expect simple harmonic structure and repetitive lyrics that provide a “hook” needed for mass audiences. Contemporary Christian music is no exception. Musically, there has been little change.

While many trained musicians often think this makes popular music (secular or otherwise) boring, I think it means that there is more common ground musically than there used to be among our living generations. For instance, when I was growing up, my Boomer parents loved music from the 50-60s-especially doo-wop. There were beginnings of rock in some of the music I heard, but there was a major shift during the formative years of the Boomer generation in popular music. As my parents aged, the popular music of their day shifted. Much of the music I (as a Buster/Generation Xer) listened to growing up is similar in many ways to what’s currently on the top 40 radio stations.

Why is this important? Well, I believe that the youngest living generations have more in common musically than our older generations. This realization can help bridge gaps in the church as well. This is good news as we move forward, especially since the quality of both text and music in contemporary worship music has risen exponentially in the last decade.

Even so, your church may be filled with people who do not listen to any form of popular music. In fact that are stuck musically in a decades-old musical style. They couldn’t care less that popular music hasn’t changed much. What they want from church is FAMILIARITY!

Familiarity is two fold:
First, familiarity means what you’d expect it to mean…it’s something you know. For instance, I had a long conversation with a gentlemen regarding this a few weeks ago. He wanted to know why we didn’t sing more old hymns. He’s argument was our people sing with more enthusiasm when we sing old gospel hymns. I simply said, “yes, that’s true, but that’s only because the songs are very familiar.” What I explained to him was while the energy is not AS high on newer tunes, I am careful to choose newer songs that I believe will LAST and will eventually become FAMILIAR parts of our hymnody.

Second, familiarity is a general feeling of “this sounds like something I’ve heard before.” This is what I’m referring to in regards to how music has stayed similar-ish over the last several decades in both popular secular and Contemporary Christian music. The mood, the affect, the instrumentation, the vocals all play into creating familiarity that are “familiar” to our youngest generations (remember this is now adults 50s and younger).

Capitalize on both types of familiarity to make inroads into closing that generation gap because all people are vital in the Kingdom of God. Living in harmony means being even more creative as a worship leader in how you create familiarity in a worship service with many varied backgrounds and experiences. A great way to bridge this gap (as an example) is to use a familiar song with instrumentation/popular musical “style”/ vocals that are more in line with what’s present in popular music. Updated “contemporary” hymns are often great ways to accomplish this, but there are others. What would you add?