Tag Archives: church leadership

Using Context as Gutter Guards

No matter what size, location, or style your church is, you must consider your church’s history, culture, and context. While we should always hold fast to the biblical foundations of worship, we cannot forget that each church is a unique body. Don’t try to blindly emulate another church without considering who God has fashioned your body of believers to be.

Many leaders desire to make changes because they are convinced the Lord has given them the vision to enact change or to avoid continued numerical decline, but fail to consider the full picture of the church’s history and current situation philosophically. Some leaders attempt to make changes too fast and make quick shifts in philosophy of ministry out of panic or desperation. Too often the results create more division and disunity. This is especially prevalent in worship music. I’ve seen worship leaders fired because they couldn’t sing contemporary music well enough or the pastor wanted to get rid of the choir because they are convinced a choir cannot grow a church so they unilaterally disband it because it’s not culturally relevant.

Friends, the music in your church should reflect who you are and what God has brought to your church. If you have a thriving choir of all ages, use it as a model for worship leadership. Having a praise band only with multiple generations on the team can also communicate that all ages are valued. In regards to your congregational song, there should be a mix of familiar songs and new; songs which meet the stringent criteria of being theologically rich and musically appropriate for your context. Sure, incremental changes are always necessary as time moves on, but don’t make sweeping changes without communicating a unified vision.

Churches, like ships, cannot make a 180 degree turn quickly. Most leaders desire to reach young families in their community, so they make assumptions about the types of music they like or the types of programming they want without considering the effect on other generations in their church. In fact many decisions are made to invest in younger generations without considering how older generations could be part of the solution before they make the changes. With evangelism and bringing in families as a primary motivator, many church leaders become myopic in their perspective and miss the chance to bring all ages together to share the vision in unity. Remember Acts 2? The Lord added daily to the number being saved in the early church not because they were hip and current, but because of their UNITY.

            When my sons were young, I used to take them bowling. Because I knew they’d likely throw gutter balls each time, I made sure the gutter guards were up each time they bowled. Not providing the gutter guards would’ve meant they would’ve felt defeated whenever they bowled. The goal of the gutter guards is to give their ball the chance to hit some pins so they feel a sense of accomplishment each time.

            Consider this analogy: the gutter guards are the biblical foundations and context of your own church. As a leader it’s your responsibility to protect your flock from the errancy of the bowling ball headed toward the gutter. Your goal is for your church to always knock down pins. These pins represent your UNIFIED goals and the vision to which God has called your particular church. There’s a lot of latitude in the middle and sides of each bowling lane, which means you should always be moving forward and side to side as your church grows, but always consider any movements forward through the filter of who God has called you to be authentically. Once you know who you are, the “gutter guards” keep you from striking outside of the biblical foundations and context of your own congregation.

The Decline of Church Choirs and Lack of Unity

A few months ago I wrote an article about the rise of choral singing in America from a study from Chorus America.  If you missed that blog post, check it out here: Church Choirs Shouldn’t be Declining Because of Lack of Interest. Last week, I ran across another article called 1 in 6 Americans sings in a choir — and they’re healthier for it.
This article cites the same study, but this paragraph stood out to me:

It’s no secret that America’s social fabric is unraveling. Participation in churches and religious institutions is down. Fraternal organizations are shrinking. Marriage rates continue to decline. Voting is up, but volunteering is down. The differences dividing us seem greater than the similarities.

That last line stuck out to me. Our differences are dividing us and churches are not immune. In fact the enemy has targeted the bride of Christ, who loves nothing more than to create division. This division is contrary to the admonition of Scripture. Paul, in his letter to the Ephesian church urges [us] to walk in a manner worthy of the calling to which you have been called,  with all humility and gentleness, with patience, bearing with one another in love, eager to maintain the unity of the Spirit in the bond of peace. (Ephesians 4:1-3 ESV). 

I’m suggesting that our churches have a unity problem. The decline in church attendance is doubtless linked to the decline of church choir mentioned in this study. The decline of the church choir has removed one of the most visible models of unity on display in our local churches. Week in and out, vibrant church choirs demonstrate unity in worship leadership. Further, when we get rid of graded choirs, we don’t have the opportunity to start this “discipleship of unity” early in the spiritual formation of the students. Sadly, I believe many of displaced church choir members are the reason community choirs are on the rise.

Any choral group, by design, must strive for unity in various ways. While striving for unity, our individuality must take a backseat for the good of the whole. Here’s a quick list of some areas where choirs must be unified:

  1. Vowels, articulation, rhythm, consonants, breathing, phrasing, dynamics, etc.
  2. Often, but not always, dress. Concert dress or robes often hide the individuality of each person for a unified look.
  3. Blend vocally. I included this as a separate number because listening and blending is crucial to choral tone.  In choral singing we must give up our solo tendencies to achieve unity and balance.
  4. Preferences in music or in other facets of choir ministry. Often we don’t always sing everything that we personally like. That’s okay, the person sitting next to you might love what you hate. That’s the beauty of mutual submission—loving one another more than yourself.

The list could go on, but consider this, I learned more about serving others and working together toward a goal in a choral setting than any other facet of the local church. I believe the task of moving many people toward a unified goal will result in greater effectiveness for the Kingdom.

 

You’ve Made me Learn to Love Contemporary Music

Last night I was approached by an octogenarian woman during our family night meal. She looked me dead in the face and said something to the effect of, “Will, you’ve made me learn to love contemporary music.” As I’ve thought about this over the last day, I’m starting to wonder how I’ve made her learn to love contemporary music? I didn’t realize I had that power! Sadly, I didn’t get a chance to continue our conversation because I needed to get to my first rehearsal. Of course the next time I see her I’m going to ask her, but for now, I can only guess why she said that to me—and 80-something year old woman whose church music heart-language likely does not include the latest Passion tune. However, something in the way we present contemporary music resonates with someone from our Builder generation.

While I don’t have an exact answer to why she felt compelled to stop me at the coffee bar yet, I have some guesses:

  1. Utilize contemporary songs that are biblically-rich. I refuse to put on the lips of our people songs that aren’t clear in theology and Christ-glorifying.
  2. Utilize contemporary songs where the music and text complement each other. Much has been said about this, but effective text/word painting is crucial to cementing the truth in the minds and hearts of the worshipers.
  3. Utilize contemporary songs with a hookYou all know what I’m talking about—songs with the indelible earworm. Songs that have sections that contain melodic (or even harmonic) sections that you can’t get out of your head. My current earworms are Way Maker and I Belong to Jesus (O Hallelujah). If you don’t know them, be prepared to invest lots of time hearing the song in your head. But you know what? These songs reinforce the TRUTH of who God is and my relationship and response to Him. If you listen any pop music at all, the most popular songs have hooks–and rightly so, we humans respond to them. No matter your age, a fantastic hook transcends generations!
  4. Instrumentation. I don’t think we can overestimate the importance of how the music is played and sung. A rock band is going to sound different on most contemporary songs than a full orchestra (even if you have the same rhythm section in your orchestra). We use orchestra every week and my guess is our chosen method of presentation is more intergenerational friendly.
  5. Volume. I CANNOT stress how important volume and decibel level is in a worship service. I talk at length about this in my article here: The Noise is Deafening and It’s Not My Fault!  Basically, as we get older, we get more sensitive to sound. If you want to ostracize older people, disregard decibel levels. We make very sure that we set volume levels appropriately for our worship space.
  6. Relationships. I care about the people I serve. I care about the content that God has given me the responsibility to feed them musically. My octogenarian friend probably has learned to love contemporary music because I do not lay aside our historically-rich hymns of the faith either. In fact I try to find creative ways to use textual similarities between new and old and put them together in worship services. I want all generations in my church to know that no music is off-limits based on it’s copyright date alone. By this I’m able to bridge gaps and build relationships across generational lines. It’s kind of an inter-musical approach for the intergenerational church!

What might you add to my list here?