Helping Church Leaders Develop Worship for All Ages

Dissertation Series, Part 6: The Almost-Universal Choir Loft

Some findings from my dissertation surprised me. This one didn’t, but the size of it still made me smile. In my 2014 survey, 95.2% of the Georgia Baptist churches I studied have a designated choir loft, and only 4.8% don’t. For all the conversation in worship circles about tearing out choir lofts in favor of stage risers or moving choirs off to the side, the loft itself is still, overwhelmingly, where the choir stands.

Pie chart showing 95.2% of churches have a designated choir loft versus 4.8% that do not
Source: W. Whittaker dissertation survey, GA Southern Baptist choir leaders (2014)

I don’t think that number is really about architecture. A loft is a statement, whether a church means it to be one or not. It puts the choir in full view, facing the congregation, physically elevated and visually unified as one body rather than scattered instrumentalists or a handful of vocalists clustered around microphones. Whatever your opinion on worship style, a loft communicates something to a watching congregation. This group, together, is leading you.

What I love about a well used loft, intergenerationally, is that it forces proximity. I’ve stood in a loft where the bass next to me had forty years and a good eight inches on me, both of us elbow to elbow, sharing an octavo, breathing together on the same phrase. There is simply no substitute for that kind of closeness from separate stage positions. A seventy eight year old alto and a sixteen year old soprano standing shoulder to shoulder, robed the same, reading off the same octavo, that’s not something you can fake. Paul’s charge to the Ephesians comes to mind every time I look out at a full loft. Walk in a manner worthy of the calling to which you have been called, with all humility and gentleness, with patience, bearing with one another in love, eager to maintain the unity of the Spirit in the bond of peace. Ephesians 4:1-3 (ESV). A loft doesn’t create that unity by itself, but it’s hard to find a better physical picture of it than generations standing literally elbow to elbow, all facing the same direction, together.

If you’re one of the 4.8% without a loft, I’m not telling you to build one. Plenty of churches lead beautifully without one, and the unity Paul’s describing is a heart posture before it’s ever a floor plan. But if you’ve got a loft and you’ve stopped thinking about what it’s actually saying to your congregation, this might be a good week to look at it with fresh eyes.

Does your church still use a traditional loft, or have you moved to something else? I’m curious what’s driving that decision where you serve.

Dr. Will Whittaker

Written by Dr. Will Whittaker, Director of Music Ministries at Cannon United Methodist Church and author of Cultivating Intergenerational Worship (GC2 Press, 2022). His doctoral research on intergenerational choral ministries shapes everything he writes here. More about Will →

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2 responses

  1. JJ Avatar
    JJ

    Our new Choir dirextor distroyed our choir loft. The organ is off to the side and not infront facing the choir. He removed the risers. choir members are all gathered around a few microphones. The tall people are very tall and the short peope are very short. The congregation cant see the choir anymore and the choir members cant see the priest. This is a Catholic church where the loft was in the back. I am a lay person not part of the choir but I have heard the complaints plus you don’t hear the choir the way one use to. What can we do. Can we do a capital campaign to redesign the loft and what is the best design for the loft

  2. voxalike Avatar

    95.2 percent of the Georgia Baptist churches in your survey still having a choir loft is a striking number given all the talk about stage risers. I like your point that a loft is a statement rather than just architecture. I help make Voxalike, a party game about voices and singing together, and the idea of a dedicated place for voices really resonated.

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