I am a Gen-X minister of music. Based on my birthdate, some would classify me as an older Millennial, but I feel like I identify with the Gen X generation more than the Millennial generation. Perhaps I feel this way because I am the third born of four children, born in 1977, and my older brothers are definitely Gen Xers. Recently, I’ve read some articles that have re-classified those of us born between 1977-1985 by grouping us into a new classification, calling us Xennials. Even one article I read called us the Oregon Trail generation. These terms are basically interchangeable because the characteristics described are synonymous. I laughed at the Oregon Trail reference, because it’s true, I definitely froze to death in Oklahoma while on the Apple II computers in the classroom-converted computer lab at my elementary school! Whatever you call us, there is definitely something about being born during a bridge period in generational history. I’ve included some articles on these terms that I think you’ll find interesting. It explains the dichotomy of being a bridger. After the articles, I’ll explain how being a Xennial has influenced my Christmas music memories and how I consider Christmas music to be a brilliant way to bridge gaps among generations.
Read here about Xennials:
Read here about the Oregon Trail:
Christmas Music Memories from the Xennial perspective
As a so-called Xennial, I was raised in a family with Boomer parents and Builder grandparents in the same town. I had no idea that my Christmas “traditions” were somewhat skewed by the generational traditions of my elders until much later in life. You know when I realized it? When I started projecting my own idea of what celebrating Christmas should be to my own children. Let me elaborate specifically on the musical aspect of my Christmas memories…
If you grew up in my house, you developed a fondness for Christmas carols and holiday favorites from artists such as Bing Crosby, Burl Ives, Gene Autry, Nat King Cole, the Andrews Sisters and the like. I can still see the record covers today (my absolute favorite is featured here in the cover photo); they are etched in my brain. To this day, I much prefer these renditions of familiar Christmas songs to anything newer. These songs/renditions have been my soundtrack for the season for years. I can’t hear Holly Jolly Christmas or The Christmas Song without being transported to another time and another place; it’s uncanny! However, during my formative years, I learned all kinds of new Christmas songs also that are now “classics,” such as Mary, Did You Know, Welcome to Our World, Breath of Heaven, and In the First Light, among many others. I grew fond (and still am) of so many “newer” Christmas songs, but nothing “warms my heart” like Bing, Nat, Burl, Gene, and Andy Williams!
I realize that my “bridge” status between generations allows me to “talk the talk” in a broader way than most. In fact I believe it’s a wonderful thing because I love all types of Christmas music and can lead them (generally) with ease. I also identify with both groups so I can understand the differences that divide and try to find common ground beyond our theological beliefs. However, I’ve found that people in general prefer nostalgic Christmas music, which certainly is different for everyone. It is interesting to me, however, that people of all ages have a fondness for more traditional Christmas carols. People who wouldn’t necessarily prefer hearing a choir and/or orchestra any other time of the year are suddenly rushing to services offering just that.
One of the first churches I served had multiple types of worship services with varying music types. On Christmas Eve we would host three worship services with varying styles of music similar to the styles during the rest of the year. Even though at the time our most modern worship service had the most attending, our “traditional” Christmas Eve services were always the packed out ones. I remember asking a few who never came to traditional services why they chose to attend the more traditional service on Christmas Eve. Their uniform response was…”I like singing traditional Christmas carols on Christmas Eve because it brings back many memories…it feels like Christmas to sing these familiar carols.” At the time, I remembered thinking, “of course…I feel the same way” and then just left it at that. It got me thinking later, why is this the case? Recently, I’ve been grappling with the question: what if nostalgia, for nostalgia’s sake, can be hurtful to our spiritual understanding of musical worship? Can our “hold” on tradition limit us from experiencing the joys of “new songs?” Here are a couple of thoughts:
- When nostalgic music (and it can be newer and nostalgic) is more important to us than “putting a new song in our mouths,” we can alienate others.
- The converse is true. When we try to forget the perceived “tired and worn out” songs and assume that those who like them are emotionless, out-dated, and tired in favor of only new songs, we can alienate others.
- Because Christmas carols (especially those found in most hymnals) are universally sung and known, they can provide an excellent way to bridge the gap in services that typically don’t sing “older” songs. Want to try intergenerational worship services at Christmas? Sing something everyone knows (carols) even if the carols are accompanied by different instrumentation that you prefer; it is a great way to start.
If you’re like me, and newer Christmas music is familiar, but not your favorite, you are not alone. This does not give you a pass to forgo newer Christmas music, however. It’s important to remember that of all the times of the year, Christmas is the most nostalgic, so use it to your advantage to incorporate new and old music in worship services. You’ll find more “modern” versions of Christmas carols than anything else newly composed. Use new versions of older carols, along with new songs to bridge music gaps in your services that speak to all generations.
3 thoughts on “Xennial Christmas Music Memories”
My wife and I have been asked to lead carols for the senior adult SS class this coming week. They’ve requested this since our services don’t typically feature traditional carols. We sing such jazzed up versions of carols in church that they are unrecognizable and unsingable for the typical person in the congregation. Everything that sounds good on the radio just doesn’t always work in a service. (and back in my day we walked uphill to school–both ways!)
So over jazzed carols, huh? Well, that’s just terrible. At least pick a singable key, with a mostly recognizable melody, and not so much syncopation the average church goer forgets it’s even a familiar song. Personally, what I hear on the radio is a terrible attempt to try and reclaim what’s already fine without too much alteration (for congregational singing especially). This trend to “overwork” carols into contemporary songs didn’t exist till roughly ten years ago when every CCW artist tried to meld hymns and new songs together. I’m all for new arrangements for carols, but most forget the audience has a ten note range at best and large group syncopated rhythms and vocal ornaments go way beyond 90 percent of the congregation.
I did want to mention, since I indicate new arrangements can be good for the church, that keeping in mind the limited range, melodic ability, rhythmic abilities, and so on of the average congregant, new arrangements can be valuable to breathe new life into churches who won’t vary from traditional hymns. I suggest there should be a balance, keeping in mind what honors the singing abilities of most. It’s frustrating enough if you’re not a tenor or alto to sing along with popular music since the ranges are basically the same in new music.