Colossians 3:15-17- And let the peace of Christ rule in your hearts, to which indeed you were called in one body. And be thankful. Let the word of Christ dwell in you richly, teaching and admonishing one another in all wisdom, singing psalms and hymns and spiritual songs, with thankfulness in your hearts to God. And whatever you do, in word or deed, do everything in the name of the Lord Jesus, giving thanks to God the Father through him.
My children find it strange that my favorite radio station in my car is the one that no one can hear–power off! Yes, I rarely listen to anything while I’m in the car. Likewise, when I run, I find solace in the quiet of my footsteps and the occasional barking dog. Sometimes it’s hard to explain to my children why someone who has devoted himself to music ministry needs a “break” from music listening. I don’t hate music; I just tend to compartmentalize my enjoyment of it since I’m “working” with music all day. Can you imagine what life would be like without music? Most of us cannot fathom a day without music to propel us forward or to simply soothe the soul. Paul knew the power of music as well as he admonished the Colossians to use music to remember the gospel truth.
Having been called by God to serve in vocational ministry, I’ve devoted most of my life to promoting, teaching, and glorifying God through church music. I feel fortunate that I enjoy leading and worshiping in most music contexts that glorify Christ and articulate the message of the gospel clearly. I’m an anomaly, however. Most people I encounter do not like all kinds of church music. In fact some are more adamant that certain types of music are genuinely more worshipful and edifying to the body. Further, there are those that believe that the presentation of “their” idea of worship music is somehow more authentic. Just like my penchant for “music” while driving, there are folks who given the choice in their churches, would rather simply just turn the worship team “off.” It is vital that worship leaders be sensitive to this me versus them mentality and strive to integrate a musical atmosphere that is sensitive to the various generations and cultures in our churches.
Likewise, Paul, in his letter to the Colossians, knew that unity was important for the early church because sin would always creep in and cause division. Not only should worship be vertical (in praise to God directly), Paul asserts that unity could be achieved by singing the WORD of God to each other (horizontally) in a variety of types of songs. Paul knew that the early church didn’t have the printed Word of God that we enjoy today. These early Christians would need to remember the Word somehow…and singing scripture was an incredible way for the word to “dwell richly” in the hearts and minds of those early Christians. The songs we sing today should do the same thing. We must sing substance and the music should complement the text of Truth. Further, the various types of music available today should be reflected in our worship services. Here are some suggestions to select worship music that reflects ethnic and generational diversity, while being rich in text.
- Text is most important factor in selecting worship music. Period. Worship music should include vertical and horizontal expressions of worship where the people of God sing to God as well as one another the truth of the gospel. For more information, see this previous blog post Building Community in the Intergenerational Church through Music- Selecting We-Centric Songs
- Use black gospel as well as southern gospel music, especially if you have African-Americans in your congregation. We Georgians are well adept at singing southern gospel; our people are familiar with it. However, if we are to reflect our communities, we need to sing black gospel also. There are numerous wonderful songs out there to sing. However, I’ve found the best places to find these songs is by looking into literature written for schools and/or community choruses.
- Investigate music from Latin America. I love syncopation, especially the habanero and other cross-rhythmic beats. We have a severe lack of latin flavor in many of our churches. Just be sensitive if the presence of congas and a cowbell make some folks in your church squirm! Again, school literature often has more variety in terms of literature.
- Integrate music from Asian cultures. In our county, the Asian population is exploding. Traditional Asian music utilizes a limiting pentatonic scale, but there are some interesting things out that can be used if you investigate.
- At the very least, utilize worship leaders (players and singers) who are not ethnically the same as the majority of your congregation. Example, I have a wonderful Korean young woman in my choir who studied opera in South Korea. She is an excellent singer, but didn’t know many songs in English she could use in worship. I suggested she look at some oratorios she might be familiar with. She wound up singing “He Shall Feed His Flock Like a Shepherd,” during December and it was a glorious offering of worship.
The key is strong text, varying music types, and utilizing folks from various generations AND cultures. Doing so can really make the difference in the worship experiences for ages to come. I believe this is exactly what Paul was referring to when he was encouraging the Colossians to be unified…bring your various experiences and abilities and be unified in PURPOSE and the Lord will be glorified.
Over the next few weeks, I will begin a series of blog posts related to choral literature in the intergenerational church. These blog posts reflect my research in the area of choral literature in intergenerational Baptist churches in the state of Georgia. Stay tuned…